1. |
Hours Grow
03:39
|
|||
2. |
What I Want To Know
04:02
|
|||
|
MB: vox, rhythm-guitar .
PB: bass, kyb, drumbox, vox .
recorded at Whittleford, early '85.
|
||||
3. |
Ways Of Rachel
03:12
|
|||
|
MB: vox, e-guitar .
PB: piano, synth, drums.
recorded at Whittleford, Autumn '84.
|
||||
4. |
Street Lamps N' Snow
04:30
|
|||
|
MB: organ, e-guitar, vox, whistle .
PB: tapes, perc, music-box, glockenspiel .
recorded at The Wendy House, Weddington, Autumn '81
|
||||
5. |
P.S. For Michael
01:49
|
|||
|
MB: autoharp, voice .
PB: bass, tapes, perc.
recorded at The Wendy House, Weddington, early '81
|
||||
6. |
Formerly At Midnight
07:54
|
|||
|
MB : whistles, voice .
PB : e-guitar, voice, drum machines .
|
||||
7. |
Egg Box Mask
04:29
|
|||
|
MB: stylophone .
PB: wasps . 'toy' sequencer, tapes .
(engineered/recorded by Pete Bosworth. produced by Eyeless in Gaza)
|
||||
8. |
Great Ocean Liner
05:32
|
|||
|
MB: organ, e-guitar perc, organ, voice .
PB : tardis, wasps, sequencer, clarineta melodica, tapes/tape shards.
recorded at The Wendy House, Weddington, Spring '81.
|
||||
9. |
Fear Clutches
02:28
|
|||
|
MB: organ, vox .
PB: wasps .
recorded at The Wendy House, Weddington, mid '81.
|
||||
10. |
Red Letter Day
07:13
|
|||
|
MB: prepared e-guitars .
PB: prepared e-guitar, bass .
|
||||
11. |
Lovers Spit & Kiss
02:50
|
|||
|
MB: vox/organ .
PB: vox/bass wasp/synth .
|
||||
12. |
Dog's Bark
06:55
|
|||
|
MB: vox/organ .
PB: wasp .
|
||||
13. |
Stay
04:24
|
|||
|
MB : vox, rhythm-guitar;
PB : bass, drumbox, drums, kybds.
|
||||
14. |
Old Lime Quarry
03:21
|
|||
|
MB : pump organ .
PB : kybd . wasp . tapes . bass .
|
||||
15. |
Music For Playgrounds
02:04
|
|||
|
MB: stylophone;
PB . autoharp, wasps.
(engineered/recorded by Pete Bosworth. produced by Eyeless in Gaza)
|
||||
Eyeless In Gaza UK
For CD versions write eyeless@eyelessingaza.com
SEE ALSO martynbates.bandcamp.com
SEE ALSO
kodaxstrophes.bandcamp.com less
Biog stuff? It’s always changing. Re creativity, a wise man said: ‘‘It doesn’t matter where, as long as it’s out of this world’’. This seems a good way to feel about it all ... the music should be like a drugged dream, poem, hope, prayer - probably a blues .
... more
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