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EVERYONE FEELS LIKE A STRANGER

by Eyeless In Gaza

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1.
Voices 04:32
voices rising from the room a sighing light is leaving and laughing and you think its you smiling a sigh inward crying crashing and dreaming won’t let you know mad certain sure as though hiding fever biting so again imbued with a meaning raw no strength to see it all … stories of heart hidden saying i will come to yr side i will reach then to you i’ll draw close and i’ll find someone is leaving you soon in sorrows of solitude sun locks you in the room old and slow certain sure tied in and its slender fingers will bind you again and then soft and slow hem you in briar thin i will come to yr side i will reach then to you i’ll draw closer and i’ll find someone is leaving you soon
2.
dance of hours we’re born so naked torn into this world a song so fragrant so savoured and unlearned within it, solace … such teeming plenitude within its music such a dance within its tune we walk in raiment that dazzles all the earth we crawl in pain clothing us like dirt we refuse sunlight we refuse the night we walk indifferent in a poor pretence of blindness we all go naked torn out from the world questioning faithless swallowed in our words we go faithless we go spurned we turn naked naked to the earth
3.
much wants more much wants more more wants more i dream you are here i dream you are there i dream you are near i dream you are everywhere song of yr soul i’ll catch the song of yr soul bright butterfly pinned to a page the colour of flight kept for always your memory’s safe your memory’s warm pinned to the page beauty displayed beautiful box beautiful case beautiful glass beautiful face patterns of pride rich dazzling pride i dream you are here i dream you are there i dream you are near i dream you are everywhere bright butterfly pinned to a page the colour of flight kept for always beautiful box beautiful case beautiful glass yr beautiful face
4.
morning singing as dear as cooling air coming to me thru opened windows with the morning singing just yellowed photos curling they’re all i’ve seen of yr handsome youthful strong body last night when i lay down to sleep i dreamed i saw you walking in the world and now you seem to be close to hand behind my eyes i’m watching you as you stand straight and tall once more real to me in some way vivid as if you were really here to see last night when I lay down to sleep i dreamed I saw you walking in the world Martyn Bates : guitar. tambourine. Vox. Pete Becker : bass. whistling. b-vox Elizabeth S : banjo. b-vox _____________________________________________
5.
seeing/ book of days seeing like a book of days left opening at each revealing page like seeing into an ecstatic face and you believe, yr all-believing yr singing like the stars that frame yr day smiling thru the turning night that makes you stop yr sleeping awhile a thought that hits that strikes you alive a cherished gift to keep awhile for you to prize yet, cracked words like an ever dieing curse like travesties alive scrawled within yr heart nurtured you then as you stalked the earth looming larger so impossibly glowering down on all you’d spurn swallowed then, swallowed in the breeze that wore you like the guise of rags that you believed in blowing in the breezes clamouring around you tearing in the sheer winds that had found you that drown you
6.
among the gathering skies so arch yr lightened face assailed stained by broken words tumbling from a face that fails you reading as a twister blur now that the night is here morning spells fear drowning all i say and all that i recognise so little of cheer so little of grace and so, lips parted, eyes dimming like sleep ah, sometimes to drink to cease the thirst be at some of peace in all this breaking world to be taken awhile in raptures so strange to almost not know this place and just to forget awhile forget chance forget fate forgetting this day forget this day evening again & i’m watching staring up into white flowers of night a connection fired between earth and sky unravelling the lines of sight that run from longing eyes eyes that espy such dear dead diving lights and I forget awhile forget the cry forget the fears the cries the smiles exquisite time
7.
so you appear such a little spark is it ever likely that such a little spark will turn aflame where it is so dark it seems unlikely that once more the flame will catch light so you appear here and i know that finally its clear that you’ll walk away and I don’t understand so you appear here and i know at last it’s for certain that you’ll walk from here from the day that we made all those plans such a little spark that was burning brightly can burn again tho it is so dark well it still just might be that once more that flame will catch light so you appear here and i know that finally its clear that you’ll walk away and I don’t understand so you appear here and i know at last it’s for certain that you’ll walk away from the days that you made all those plans all of those plans
8.
Slow Eve 03:30
slow eve to see the lights stretch out before me all the elements that make a story striking once to clear the mad day to strike again and slip away to live a day to simply live a day in wonder caught between the now and then caught between the wise and foolish torn between the captured and the unruly it’s better then to say no word it’s better then to just observe oh so certain of nothing though yr wanting to live everything first the fire rekindling and then again the fire dying to then be the dreaming child again and then in old age, all mystery the days rise in lights all displayed so bright
9.
childhood knives decked out like a doll a figure of fortune mascarred fastening yr eyes pinned tight shut as they bid to distort you words wrapping round yr smile so loud the childhood knives cut in thru you as they turn cry out at these childhood knives you can’t remember who you were in empty space that once used to caress you in barren blessings that soar down to earth cursing reflecting silhouetting into you a harsh refraction that is not yours so loud burn the childhood knives cutting thru you as they turn cry out at these childhood knives you can’t remember who you were so loud call the childhood knives cutting thru you as they turn cry out at these childhood knives you can’t remember who you were
10.
dreaming body dreaming body dreaming body dreaming body dreaming body dreaming body
11.
if i could live as the sun does but clawing at words you want to touch the reasons you want the shape the flavour & the meanings . if i could live as the sun does : but ...
12.
endless trees and as you speak it almost seems possible to open in longing now to you to reach as far as cruel absurd sorrow does to stretch out searching hands to you bringing everything to this evening for light to wane to fade into feeling and sun to melt all you believe in just endless, endless trees and horizon escaping me sunset’s the song that you breathe and as you spoke you touched me knowingly so readily i give myself for you all tears and reminders all love all laughter too readily i rest myself with you to give all, as the last of evening to give all as the mist of evening give all, as lights that wane, that fade into fearings … give all, as sun to melt all and fade, as belief did... endless, endless trees, where sunset is no sign that this will cease … sunset is the song that you breathe

about

”High on English folk/psychedelic textures, Martyn Bates and Peter Becker have come up with this collection of windswept, romantic songs, prickly as holly and sad as old Polaroids. […] After 32 years, this is a real career peak.” – Uncut (May 2012)
“If you could imagine Midlake wrestling with Marc Almond, and Sufjan Stevens trying to pull them apart, then you would have a pretty good indication of how Everyone Feels Like A Stranger’s opening trio of tracks sounds. […] an excellent song cycle” – Record Collector (March 2012)
* Completed November 2011.
* Here's what Martyn Bates had to say about the album at the time of its release: "through the Summer of 2011 while we were putting together the tunes for Everyone Feels Like a Stranger, an unexpected pattern began to emerge. Clearly, as we were recording and completing pieces, much of this new work was showing a distinct prejudice/alignment to the form of songs, as opposed to instrumental explorations and improvisations, i.e. pictures without words. Now of course, all of the music we make has a story to it – much as we are all of us our own stories, because, well … that’s all we have really ... stories beautiful / terrifying / ecstatic / anecdotal / awake / asleep etc. etc. These can't help but feed into Eyeless In Gaza directly, and, as far as I’m concerned, the songs then go on to take on a life of their own.

That being said, I was already aware that these particular songs seemed to have arrived coloured with qualities altho you might say are inward looking/reflective, for the most part. It was Peter Becker who first suggested that we title this album of songs Everyone Feels Like a Stranger – and initially I was unsure, as I felt that somehow this phrase ran the risk of conveying the ‘wrong kind’ of negative connotations. However, I see now that he was right. What we have here within these songs is a collective meditation upon the double-edged sense of exhilaration and closeness that can occur when one enters that peculiar state of mind and being that being alone can sometimes give .Where to ‘feel like a stranger’ oddly brings about a wayward sense of subtle happiness or comfort. And where distance and separation somehow connect with a sudden elevation and insight, and link in with an unsettling sense of security within that isolation. Where being ‘alone’ takes on an almost religious intensity .Where you are connected to the quiet, the calm, the silence. Where Everyone Feels Like a Stranger, true … but, at the same time, no-one ever feels like a dispassionate and unknowing traitor and collaborator in somebody else's agenda" .

credits

released June 30, 2022

* Voice, Instruments – Martyn Bates
* Instruments, Voice – Pete Becker

* with Elizabeth S: banjo/voice on morning singing/so you appear, voice on dance of hours
* produced by Martyn Bates & Peter Becker
* engineered & recorded by Peter Becker at Ambivalent Scale Studios, Warwickshire, England.
* Mastered by Denis Blackham at – Skye Mastering
* All Songs Composed By Martyn Bates, Pete Becker*
* An Ambivalent Scale Recording.

℗ & © A-Scale Records 2011.
Copyright Control

* www.eyelessingaza.com (write to receive infos re limited edition Ambivalent Scale label CD version of this album) .

www.youtube.com/watch?v=LDyexpqojKE
( * DANCE OF HOURS * )

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Eyeless In Gaza UK

For CD versions write eyeless@eyelessingaza.com
SEE ALSO martynbates.bandcamp.com
SEE ALSO kodaxstrophes.bandcamp.com less
Biog stuff? It’s always changing. Re creativity, a wise man said: ‘‘It doesn’t matter where, as long as it’s out of this world’’. This seems a good way to feel about it all ... the music should be like a drugged dream, poem, hope, prayer - probably a blues .
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